![]() Bernini additionally designed the statue to be stunning if observed from different points of view, thus making it an active component of room decoration. Unlike its predecessors, this David is here shown mid-action, in a markedly contorted pose that fully conveys the dynamism of the scene. In fact, the artist momentarily abandoned his famed Apollo and Daphne, in which the nymph is rendered in the midst of her gradual morph into a laurel tree, to execute the new commission. Galleria Borghese, Rome.īernini’s David is the product of a commission from his long-time patron Scipione Borghese, who already had several active commissions with the artist at the time. This, in itself, is indicative of sanctity. According to the apostle Paul, nudity denotes a naked soul. His heroic nudity was not immediately accepted: Instead, it was concealed by a garland made of twenty-eight gilded leaves.ĭespite this, Michelangelo would continue to insist on nudity, both in his Risen Christ and in several characters in his Last Judgment. His arched brow, his tense neck muscles, and his bulging veins denote his eagerness. In contrast, Michelangelo's David is shown preparing for the battle. Allegedly, Leonardo da Vinci was considered for this commission but the decision landed on Michelangelo, who chose to give his David a stance unlike the renditions by his predecessors.īoth Donatello and Verrocchio depicted David as triumphant, lording over a defeated Goliath. Made between 15, Michelangelo's David was originally supposed to be part of a series of prophets meant to adorn the eastern roof of the Florence Cathedral. ![]()
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